Sculptor |
Title |
Image |
Year |
Location/GPS Coordinates |
Material |
Height |
Notes |
---|
Herbert Adams |
The Three Graces |
|
1912 |
James McMillan Fountain,McMillan Reservoir,Washington, D.C. |
bronze |
12 ft (3.7 m)(overall) |
The McMillan Fountain was disassembled for the1941 expansion of McMillan Reservoir. Thepieces spent decades in storage, and sufferedvandalism. Only the central figures and upperbasin remain. |
Priestess of Culture |
|
1914 |
Rotunda, Palace of Fine Arts,Panama-Pacific International Exposition |
staff |
51.5 in (131 cm) |
Adams was awarded a PPIE Medal of Honor for his sculpture.Eight identical goddess figures stood atop columnsinside the Rotunda of the Palace of Fine Arts.Those now in place are reproductions.The two surviving original figures are in thecollection of the Exploratorium. |
Robert Ingersoll Aitken |
Greenhut Mausoleum door |
|
1913 |
tomb of merchandiser Joseph Greenhut,Salem Fields Cemetery,Brooklyn, New York City |
bronze |
|
Stone, Gould & Farrington, architects |
Gates Mausoleum door |
|
1913 |
John Warne Gates Mausoleum,Woodlawn Cemetery,Bronx, New York City |
bronze |
|
Stone, Gould & Farrington, architectsAitken was awarded a PPIE silver medal for his sculpture. |
Panama-Pacific $50 U.S. Gold Coin |
|
1915 |
|
|
|
|
The Elements: Air |
|
1915 |
Flanking stairs to sunken garden,Court of the Universe,Panama-Pacific International Exposition |
staff |
|
|
The Elements: Earth |
|
Fountain of the Earth |
|
1915 |
Court of the Universe,Panama-Pacific International Exposition |
staff |
|
Fountain of the Earth: |
Karl Bitter |
Venus |
|
c.1895 |
Library,Biltmore Estate,Asheville, North Carolina |
steel |
|
Bitter's andiron figure of Venus for Biltmore was completed in 1895,when Munson was 4 years old.A life-sided Venus Coming from the Bath was photographed inBitter's studio in 1901, when Munson was 10 years old. |
Venus de Milo (with arms) |
|
by 1921 |
Noordeinde Palace,The Hague, Netherlands |
marble |
|
Queen Wilhelmina of the Netherlands commissioned a Venus deMilo (with arms) from Bitter. Munson wrote that Bitter experimentedwith different arrangements of the arms, modeled the sculpture inclay, and carved it in marble himself. |
Peace |
|
1896–1900 |
Appellate Division Courthouse ofNew York State,35 East 25th Street,Manhattan, New York City |
|
|
Bitter completed his work on the Appellate Courthouse in June1899, about the time Munson turned 8 years old. |
Peace |
|
by 1921 |
|
|
|
Munson wrote that she posed for Bitter for a sculpture of Peace(pictured), but it was not the Appellate Courthouse work. |
Liberty Supported by the Law |
|
1906–1910 |
East Pediment,Wisconsin State CapitolMadison, Wisconsin |
Bethel Vermontgranite |
96 in (240 cm) |
East Pediment: |
Bas relief: Diana |
|
c.1910? |
Ballroom,George Jay Gould I Mansion,Manhattan, New York City |
marble |
|
This may have been related to Bitter's famous 1910bronze of Diana: |
Pomona or Abundance |
|
plaster1898, 1915bronze1916(by Konti) |
Pulitzer Fountain,Grand Army Plaza,Manhattan, New York City |
bronze |
plaster24 in (61 cm)bronze84 in (210 cm) |
Pomona was a 24 in (61 cm) plaster maquette atthe time of Bitter's April 9, 1915 death. Bitter'swidow asked Isidore Konti to complete the work,which was dedicated in May 1916.Munson was publicly credited as the model forPomona as early as August 1916.Actress Doris Doscher (1882–1970) later claimed to have been themodel for Pomona. (Bitter may have used more than one model,or Konti may have used a different model.) |
Alexander Stirling Calder |
Star Maiden |
|
1915 |
Panama-Pacific International ExpositionOakland MuseumOakland, California |
bronze |
48 in (120 cm) |
Star Maiden was repeated ninety-five times as aroof balustrade figure surrounding the Court ofthe Universe and the Colonnade of Stars: |
Flower Girl |
|
1915 |
Court of Flowers,Panama-Pacific International Exposition |
staff |
|
Flower Girl was repeated in niches above thecolonnade of the Court of Flowers. Edgar Walter'sBeauty and the Beast Fountain is in the foreground. |
EnterpriseCrowning figure |
|
1915 |
The Nations of the West,atop Arch of the Setting Sun,Panama-Pacific International Exposition |
staff |
|
The Nations of the West:Arch of the Setting Sun: |
The Mother of TomorrowCentral figure |
|
|
Eastern Hemisphere(reclining female nude with the head ofa lioness, east side of the globe) |
|
1915 |
Fountain of Energy,Panama-Pacific International Exposition |
staff |
|
Fountain of Energy: |
The Atlantic Ocean(F. G. R. Roth modeled the dolphin) |
|
|
The Pacific Ocean(F. G. R. Roth modeled the manatee) |
|
|
Nereid No. 1, No. 2 and No. 3(F. G. R. Roth modeled the dolphins)Three nereids riding dolphins, repeated(as a group) four times around thefountain's basin. A water jet spoutedfrom each dolphin's mouth. |
|
|
Caryatid(John Bateman assisted on this work) |
|
1915 |
Attic of Colonnade (above each column),Court of Palms,Panama-Pacific International Exposition |
staff |
|
Court of Palms: |
Ulric Ellerhusen |
Wonderment |
|
1915 |
exterior of Rotunda dome,Palace of Fine Arts,Panama-Pacific International Exposition |
staff |
23 ft (7.0 m) |
A pair of standing figures, Contemplation (male)and Wonderment (female), flank the relief panelson each face of the Rotunda's dome.The figures were recast in cast stone by SperoAnargyros in 1969. |
Consolation(Weeping Maidens or Drooping Maidens) |
|
Pergola of the Palace of Fine Arts,Panama-Pacific International Exposition |
|
""In the goddesses atop the towers and minarets and in the Grecianboxes adorning the Roman columns of the Palace of the Fine Artswill be found the enchanting line of the [Munson's] girlish form."" |
Garland figures |
|
Peristyle Walk, Palace of Fine Arts,Panama-Pacific International Exposition |
|
A set of five larger-than-life, high-relief figures, repeated aroundthe four semi-circular, ground-level planters |
John Flanagan |
Medallion: Head of Audrey Munson |
|
1915 |
Palace of Fine Arts,Panama-Pacific International Exposition |
bronze |
|
Flanagan was awarded a PPIE Medal of Honor for his sculpture. |
Medal of Award, Panama-PacificInternational Exposition |
|
1915 |
|
bronze |
2.76 in (70 mm) |
obverse: |
Daniel Chester French |
Mourning Victory |
|
1906–1908 |
Melvin Memorial,Sleepy Hollow Cemetery,Concord, Massachusetts |
Tennessee marble |
115 in (290 cm) |
Memorial to Asa, Samuel and John Melvin,three brothers who fought and died in theAmerican Civil War.Munson was 15 years old when the memorial was completed. |
Mourning Victory(mirror image of the Melvin Memorial) |
|
carved1912–1914 |
Metropolitan Museum of Art,Manhattan, New York City |
marble |
120.5 in (306 cm) |
James C. Melvin, the only surviving brother,funded the carving of a mirror-image marbleversion, and donated it to MMA.MMA also owns a bronze cast of Victory's head. |
Memory |
|
modeledc.1909carved1917–1919 |
Metropolitan Museum of Art,Manhattan, New York City |
marble |
57.5 in (146 cm) |
A plaster model is at Chesterwood, French's homeand studio in Stockbridge, Massachusetts.(Pictured, center) |
Jurisprudence |
|
1910–1912 |
Metzenbaum United States Courthouse,Cleveland, Ohio |
marble |
12 ft (3.7 m) |
Located at street level, near the corners of theSuperior Avenue façade. |
Commerce |
|
1910–1912 |
marble |
12 ft (3.7 m) |
Wisconsin (Forward) |
|
1912 |
Wisconsin State Capitol,Madison, Wisconsin |
gilded bronze |
15.5 ft (4.7 m) |
Atop Wisconsin State Capitol Dome: |
Evangeline(bas relief figure, 2nd from right) |
|
1912–1914 |
Henry Wadsworth Longfellow Memorial,Longfellow Park,Cambridge, Massachusetts |
marble |
36 in (91 cm) |
In Longfellow Park: |
The Spirit of Life |
|
1913–1915 |
Spencer Trask Memorial,Congress Park,Saratoga Springs, New York |
bronze |
122 in (310 cm) |
In Congress Park:Eight bronze casts from French's 1914 reduced-size working model are in the collections of:Smithsonian American Art Museum,Indianapolis Museum of Art,Newark Museum, Newark, New Jersey,Brooks Memorial Library, Brattleboro, Vermont,and elsewhere. |
The Genius of CreationEve |
|
1915 |
West entrance to Palace of Machinery,Panama-Pacific International Exposition |
staff |
|
French was awarded a PPIE Medal of Honor for his sculpture.West entrance to Palace of Machinery:A plaster model is at Chesterwood, French'shome and studio in Stockbridge, Massachusetts: |
Brooklyn |
|
1916 |
Brooklyn Museum,Brooklyn, New York City |
granite |
|
The pair were created to adorn the Brooklyn side of theManhattan Bridge.Relocated to exterior of the Brooklyn Museum, 1963.At least some of the modeling for the Brooklyn figure was done byRosalie Miller. |
Manhattan |
|
1916 |
granite |
|
Sherry Edmundson Fry |
70th Street pediment |
|
1913 |
Frick Mansion,Fifth Avenue & East 70th Street,Manhattan, New York City |
Bedford bluelimestone |
|
|
Maidenhood |
|
1914 |
Brookgreen Gardens,Murrells Inlet, South Carolina |
bronze |
67.3 in (171 cm) |
Ex collection: Metropolitan Museum of Art |
Peace (Maidenhood) |
|
1914–1915 |
Peristyle Walk,Exterior of Palace of Fine Arts,Panama-Pacific International Exposition |
bronze |
|
Fry was awarded a PPIE silver medal for his sculpture. |
Cartouche |
|
1915 |
Female nude beside shield, over greatarched window of Festival Hall,Panama-Pacific International Exposition |
staff |
|
Festival Hall: |
Flora |
|
Twin figures atop pedestals at base ofpylons of Festival Hall,Panama-Pacific International Exposition |
|
Torch Bearer |
|
Figure repeated atop the four cornerdomes of Festival Hall,Panama-Pacific International Exposition |
|
Reclining Woman (Listening Woman)Pylon figure |
|
atop east pylon of Festival Hall,Panama-Pacific International Exposition |
|
Ceres, Goddess of Agriculture |
|
1921 |
Missouri State Capitol,Jefferson City, Missouri |
bronze |
124 in (310 cm) |
Atop Missouri State Capitol Dome: |
Carl Augustus Heber |
Spirit of Commerce |
|
1909–1914 |
Manhattan Bridge (south pier),Manhattan, New York City |
granite |
|
|
Relief tablet over entrance |
|
c.1912 |
The Little Theatre(now Helen Hayes Theatre),238 West 44th Street,Manhattan, New York City |
marble |
|
In a 1913 photograph: |
Albert Jaegers |
Harvest (Nature) |
|
1915 |
atop Half-Dome,Court of the Four Seasons,Panama-Pacific International Exposition |
staff |
|
Jaegers was awarded a PPIE bronze medal for his sculpture.Half Dome, Court of the Four Seasons: |
SunshineRain |
|
atop columns flanking the Half-Dome,Court of the Four Seasons,Panama-Pacific International Exposition |
|
The Feast of Sacrifice |
|
Heroic-sized group, repeated twiceatop pylons above Forecourt of Ceres,Court of the Four Seasons,Panama-Pacific International Exposition |
|
The Feast of Sacrifice (at upper corners): |
Augustus Jaegers |
AbundanceAttic figures |
|
1915 |
Court of the Four Seasons,Panama-Pacific International Exposition |
staff |
|
Augustus Jaegers (brother of Albert) modeled theattic and spandrel figures on the arcades in theCourt of the Four Seasons.Abundance was repeated sixteen times on the arcades. |
Isidore Konti |
The Three Graces |
|
c.1909 |
|
marble |
|
Created for the new ballroom of the Hotel Astor,opened September 29, 1909 (second balcony):At the other end of the ballroom, a companionmarble group called The Song featured similarfigures, possibly also modeled by Munson. |
Three Muses |
|
undated |
Hudson River Museum,Yonkers, New York |
plaster |
23 in (58 cm) |
|
Mother and Child: The Bath(Fountain Group) |
|
c.1910 |
private collection |
marble |
two-thirdslife size |
|
Solace |
|
1911 |
Hudson River Museum,Yonkers, New York |
plaster |
28 in (71 cm) |
|
Fame and Victory (relief figures) |
|
c.1915 |
Column of Human Progress,Forecourt of the Stars,Panama-Pacific International Exposition |
staff |
|
Four relief panels with heroic-sized figuressurrounded the base of the 180 ft (55 m)-tallColumn of Human Progress.Munson was the model for Fame and Victory,which flanked the entrance to its vault. |
Pomona |
|
1915–1916 |
Pulitzer Fountain,Grand Army Plaza,Manhattan, New York City |
bronze |
84 in (210 cm) |
Karl Bitter's widow asked Konti to complete Pomonafollowing Bitter's death in April 1915. Konti enlargedit from a 24 in (61 cm) maquette, added detail, andmade minor changes. His full-size plaster model wascompleted in January 1916, approved by Bitter'swidow in February, and sent to the foundry in March.The fountain was dedicated in May 1916. |
Evelyn Beatrice Longman |
Consecration (L'Amour) |
|
modeled1909–1912carved1914 |
Wadsworth Athenaeum,Hartford, Connecticut |
marble |
36 in (91 cm) |
Exhibited in the Palace of Fine Arts at the 1915 Panama-PacificInternational Exposition.Longman was awarded a PPIE silver medal for her sculpture. |
Fountain of Ceres |
|
1915 |
Forecourt, Court of the Four Seasons,Panama-Pacific International Exposition |
staff |
|
Forecourt, Court of the Four Seasons: |
Augustus Lukeman |
MemoryTitanic Memorial |
|
1913–1914 |
Straus Memorial,Straus Park,West 106th Street (west of Broadway),Manhattan, New York City |
bronze |
36 in (91 cm) |
Memorial to Ida and Isidor Straus, who diedin the 1912 sinking of the RMS Titanic.The park and memorial were dedicated onApril 15, 1915, the third anniversary of the sinking. |
Frederick MacMonnies |
Beauty |
|
c.1911–1917 |
New York Public Library Main Branch,Fifth Avenue at East 41st Street,Manhattan, New York City |
Carrara marble |
120 in (300 cm) |
Located just south of the Fifth Avenue entrance.Munson wrote that MacMonnies used her for thelegs, and another model for the torso and face. |
Allen George Newman |
Mermaid (unlocated) |
|
1910 |
Music of the Waters Fountain(demolished),Riverside Drive at 156th Street,Manhattan, New York City |
marble |
|
""Up on Riverside Drive, Allen George Newman's fountain 'Musicof the Water' shows another pose of this young woman."" |
The Triumph of Peace |
|
1911 |
Peace Monument,Piedmont Park,Atlanta, Georgia |
bronze |
108 in (270 cm) |
Peace Monument in Piedmont Park: |
Florida's Tribute to the Women of theConfederacy |
|
1914–1915 |
Confederate Park,Jacksonville, Florida |
bronze |
seated figure42 in (110 cm)flagbearer13 ft (4.0 m) |
Muson likely posed for the flagbearer atop themonument. She also may have posed for theyoung mother reading to her children. |
Attilio Piccirilli |
Columbia Triumphant |
|
1901–1913 |
USS Maine National Monument,Central Park,Manhattan, New York City |
gilded bronze |
16.5 ft (5.0 m) |
|
Peace |
|
marble |
|
Duty |
|
1910–1913 |
Firemen's Memorial,Riverside Park,Riverside Drive at West 100th Street,Manhattan, New York City |
Knoxville marble |
|
|
Sacrifice |
|
|
A Soul(Alone? Widowhood?) |
|
1915 |
Exhibited outside Palace of Fine Arts,Panama-Pacific International Exposition |
marble |
|
Piccirilli was awarded a PPIE gold medal for his sculpture. |
Sapientia (Wisdom) |
|
completed1917 |
Learning of the World (north pediment),Wisconsin State Capitol,Madison, Wisconsin |
Bethel white granite |
96 in (240 cm) |
North pediment: |
Furio Piccirilli |
Eurydice |
|
1911 |
Exhibited outside Palace of Fine Arts,Panama-Pacific International Exposition |
marble |
|
Piccirilli was awarded a PPIE silver medal for his sculpture. |
Summer |
|
1915 |
Court of the Four Seasons,Panama-Pacific International Exposition |
staff |
|
Each season group was placed in a niche screenedby a colonnade, and set upon a curved steppedbase, down which water cascaded. |
Autumn |
|
Fountain of Autumn: |
Winter |
|
Fountain of Winter: |
Spring(Munson posed for both the femalefigures) |
|
Fountain of Spring: |
Edmond Thomas Quinn |
Audrey |
|
1915 |
Exhibited at Palace of Fine Arts,Panama-Pacific International Exposition |
freestanding bronze |
|
Quinn was awarded a PPIE silver medal for his sculpture. |
Ulysses Ricci |
Portrait of Miss Audrey Munson |
|
1914 |
whereabouts unknown |
bronze |
|
Exhibited at National Academy of Design in 1914Exhibited at Syracuse Museum of Fine Arts |
Frederick Ruckstull |
Monument to South Carolina Women ofthe Confederacy |
|
1909–1912 |
South Carolina State House,Columbia, South Carolina |
bronze |
14 ft (4.3 m) |
|
Salvatore Cartaino Scarpitta |
Lady Godiva |
|
by 1914 |
unknown |
silver |
|
""Even on Fifth avenue you will find her at a famoussilversmith's sitting dejectedly on a white horse as LadyGodiva in a beautiful piece of work made by Scarpetti [sic]."" |
The Light That Failed |
|
1915 |
|
|
|
|
Starlight |
|
c.1915 |
Collection of John D. Rockefeller, Jr.(1921) |
|
|
|
Maidenhood |
|
by 1921 |
Collection of Henry Clay Frick (1921) |
|
|
|
Francois Tonetti |
Water Nymph |
|
by 1921 |
Kykuit (John D. Rockefeller Estate)Pocantico Hills, New York |
|
|
|
Edgar Walter |
Beauty and the Beast |
|
1915 |
Beauty and the Beast Fountain,Court of Flowers,Panama-Pacific International Exposition |
staff |
|
Beauty and the Beast Fountain: |
Adolph Alexander Weinman |
Day and NightPair of figures flanking the exterior clocks,repeated over the station's four mainentrances.The station was demolished, 1963-1966. |
|
c.1910 |
Pennsylvania Station,(bordered by 31st Street, 7th Avenue,33rd Street and 8th Avenue),Manhattan, New York City |
pink granite |
10 ft (3.0 m) |
Weinman's figures of Day and Night flanked theclocks over the station's 7th and 8th Avenue mainentrances, and were repeated over the 31st and33rd Street entrances.A salvaged figure of Night was donated to theBrooklyn Museum in 1966.A complete clock entablature decorates the EagleScout Memorial Fountain in Kansas City, Missouri.Another clock entablature (disassembled) is atRingwood State Park in Passaic County, NewJersey. |
Civic Fame |
|
1913 |
atop Manhattan Municipal Building,Centre Street at Chambers Street,Manhattan, New York City |
gilded bronze |
25 ft (7.6 m) |
Manhattan Municipal Building: |
Descending Nightatop column |
|
1915 |
Fountain of the Setting Sun,Court of the Universe,Panama-Pacific International Exposition |
staff |
|
Fountain of the Setting Sun (at left): |
Goddess of Truthat base of column |
|
|
Walking Liberty Half Dollar |
|
1916 |
|
90% silver10% copper |
1.203 in (30.6 mm) |
Munson also may have been Weinman's model forthe Mercury dime (1916). |
Daphnis and Chloe |
|
by 1921 |
Devonshire House, (prior to 1921)London, England |
|
|
as Chloe |
Gertrude Vanderbilt Whitney |
Paganism Immortal |
|
c.1910 |
|
|
|
|
Fountain of El Dorado |
|
1915 |
Tower of Jewels Arcade,Panama-Pacific International Exposition |
|
|
Whitney was awarded a PPIE bronze medal for her sculpture.""[Munson] mingles, many times over, in the crowdpressing forward toward the mysterious portal ofMrs. Harry Payne Whitney's Fountain of ElDorado."" |
Bruno Louis Zimm |
Relief panels:The Triumph of the ArtsThe Struggle for the BeautifulThe Power of the Arts |
|
1915 |
Attic of Rotunda,Palace of Fine Arts,Panama-Pacific International Exposition |
staff |
14 ft (4.3 m) |
Truth is the nude female figure at the center ofThe Struggle for the Beautiful. |